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These forums are being phased out. The new, improved Surrealism Forum is at classicalmusicforums.com.

Ahoy fellow travelers and Great Books lovers!

The former post was deleted as it violated our user agreement, or it did not add to the "Classical Music & Art" conversation in a constructive manner.

The new Surrealism Forum may be found at http://classicalmusicforums.com/forumdisplay.php?f=71 .

To foster quality discussion forums throughout Classicals.com, from now on only registered members may post. Spam will not be tolerated. If you would like to help moderate, please contact "jolly roger ship @ yahoo . com".

Please register at http://classicalmusicforums.com to post in the future.

We prefer deep reflections on Philosophy, Shakespearean Sonnets, and tender musings along the lines of:

LXVII

Ah! wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace itself with his society? 
Why should false painting imitate his cheek,
And steel dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggar'd of blood to blush through lively veins?
For she hath no exchequer now but his,
And proud of many, lives upon his gains.
  O! him she stores, to show what wealth she had
  In days long since, before these last so bad.
 	--William Shakespeare

One had to cram all this stuff into one's mind for the examinations, whether one liked it or not. This coercion had such a deterring effect on me that, after I had passed the final examination, I found the consideration of any scientific problems distasteful to me for an entire year. --Albert Einstein

It is our continuing goal to foster the world's greatest converstation regarding all higher pursuits.

In the future, please register and make all posts to http://classicalmusicforums.com,

and/or join the forums at Great Books & Philosophy Forums @ jollyrogerwest.com.

LV

Not marble, nor the gilded monuments
Of princes, shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword, nor war's quick fire shall burn
The living record of your memory.
'Gainst death, and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
  So, till the judgment that yourself arise,
  You live in this, and dwell in lovers' eyes.
 	--William Shakespeare

All The Best,

William Einstein Shakespeare :)

V

Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting time leads summer on
To hideous winter, and confounds him there;
Sap checked with frost, and lusty leaves quite gone,
Beauty o'er-snowed and bareness every where:
Then were not summer's distillation left,
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it, nor no remembrance what it was:
  But flowers distill'd, though they with winter meet,
  Leese but their show; their substance still lives sweet.
 	--William Shakespeare