Posted by susanna on June 23, 1998 at 01:10:15:

In Reply to: polyphony versus monodic posted by Giacomo on May 20, 1998 at 17:24:19:

: Hmmm... since this is the Rennaissance port...
: HOw about the polyphonic versus the monodic style of comoposition?
: Opinions, pros and cons, preferences?

Does it have to be versus? They each have their place and each have their beauty. As a performer, audiences are surprised and awed by the complexity of the polyphonic. They also enjoy the denseness of Marenzio and Palestrina. However, the simpler, "monodic" style of the late Renaissance English composers (e.g., Jones) really causes audiences to react with a sigh or a tear, because they can aurally understand the "tunefulness" of the simpler style.

Follow Ups:

• Re: polyphony versus monodic Giacomo 23:44:39 7/01/98 (1)
  • Re: polyphony versus monodic Keith 17:05:46 8/07/98 (0)

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: : : Hmmm... since this is the Rennaissance port... : : HOw about the polyphonic versus the monodic style of comoposition? : : Opinions, pros and cons, preferences? : Does it have to be versus? They each have their place and each have their beauty. As a performer, audiences are surprised and awed by the complexity of the polyphonic. They also enjoy the denseness of Marenzio and Palestrina. However, the simpler, "monodic" style of the late Renaissance English composers (e.g., Jones) really causes audiences to react with a sigh or a tear, because they can aurally understand the "tunefulness" of the simpler style.

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