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These forums are being phased out. The new, improved Photography Forum is at classicalmusicforums.com.
The former post was deleted as it violated our user agreement, or it did not add to the "Classical Music & Art" conversation in a constructive manner.
The new Photography Forum may be found at http://classicalmusicforums.com/forumdisplay.php?f=60 .
To foster quality discussion forums throughout Classicals.com, from now on only registered members may post. Spam will not be tolerated. If you would like to help moderate, please contact "jolly roger ship @ yahoo . com".
Please register at http://classicalmusicforums.com to post in the future.
We prefer deep reflections on Philosophy, Shakespearean Sonnets, and tender musings along the lines of:
LXVIII Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head; Ere beauty's dead fleece made another gay: In him those holy antique hours are seen, Without all ornament, itself and true, Making no summer of another's green, Robbing no old to dress his beauty new; And him as for a map doth Nature store, To show false Art what beauty was of yore. --William Shakespeare
LXXVI Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods, and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth, and where they did proceed? O! know sweet love I always write of you, And you and love are still my argument; So all my best is dressing old words new, Spending again what is already spent: For as the sun is daily new and old, So is my love still telling what is told. --William Shakespeare
It is our continuing goal to foster the world's greatest converstation regarding all higher pursuits.
In the future, please register and make all posts to http://classicalmusicforums.com,
and/or join the forums at Great Books & Philosophy Forums @ jollyrogerwest.com.
XXXI Thy bosom is endeared with all hearts, Which I by lacking have supposed dead; And there reigns Love, and all Love's loving parts, And all those friends which I thought buried. How many a holy and obsequious tear Hath dear religious love stol'n from mine eye, As interest of the dead, which now appear But things remov'd that hidden in thee lie! Thou art the grave where buried love doth live, Hung with the trophies of my lovers gone, Who all their parts of me to thee did give, That due of many now is thine alone: Their images I lov'd, I view in thee, And thou--all they--hast all the all of me. --William Shakespeare
All The Best,
William Einstein Shakespeare :)
LXXXV My tongue-tied Muse in manners holds her still, While comments of your praise richly compil'd, Reserve their character with golden quill, And precious phrase by all the Muses fil'd. I think good thoughts, whilst others write good words, And like unlettered clerk still cry 'Amen' To every hymn that able spirit affords, In polish'd form of well-refined pen. Hearing you praised, I say ''tis so, 'tis true,' And to the most of praise add something more; But that is in my thought, whose love to you, Though words come hindmost, holds his rank before. Then others, for the breath of words respect, Me for my dumb thoughts, speaking in effect. --William Shakespeare