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These forums are being phased out. The new, improved Jean Phillipe Rameau (1683-1764) Forum is at classicalmusicforums.com.
The former post was deleted as it violated our user agreement, or it did not add to the "Classical Music & Art" conversation in a constructive manner.
The new Jean Phillipe Rameau (1683-1764) Forum may be found at http://classicalmusicforums.com/forumdisplay.php?f=24 .
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We prefer deep reflections on Philosophy, Shakespearean Sonnets, and tender musings along the lines of:
V Those hours, that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same And that unfair which fairly doth excel; For never-resting time leads summer on To hideous winter, and confounds him there; Sap checked with frost, and lusty leaves quite gone, Beauty o'er-snowed and bareness every where: Then were not summer's distillation left, A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it, nor no remembrance what it was: But flowers distill'd, though they with winter meet, Leese but their show; their substance still lives sweet. --William Shakespeare
It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. -- Albert Einstein
It is our continuing goal to foster the world's greatest converstation regarding all higher pursuits.
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After I wrote this sonnet there appeared to me a miraculous vision in which I saw things that made me resolve to say no more about this blessed one until I should be capable of writing about her in a nobler way. -Dante on his inspiration for The Divine Comedy, after falling short of Beatrice's splendor in the Vita Nuova
All The Best,
William Einstein Shakespeare :)
CXIII Since I left you, mine eye is in my mind; And that which governs me to go about Doth part his function and is partly blind, Seems seeing, but effectually is out; For it no form delivers to the heart Of bird, of flower, or shape which it doth latch: Of his quick objects hath the mind no part, Nor his own vision holds what it doth catch; For if it see the rud'st or gentlest sight, The most sweet favour or deformed'st creature, The mountain or the sea, the day or night: The crow, or dove, it shapes them to your feature. Incapable of more, replete with you, My most true mind thus maketh mine untrue. --William Shakespeare