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These forums are being phased out. The new, improved Franz Schubert (1797-1828) Forum is at classicalmusicforums.com.

Ahoy fellow travelers and Great Books lovers!

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We prefer deep reflections on Philosophy, Shakespearean Sonnets, and tender musings along the lines of:

LXXVI

Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods, and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth, and where they did proceed?
O! know sweet love I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
  For as the sun is daily new and old,
  So is my love still telling what is told.
 	--William Shakespeare

After I wrote this sonnet there appeared to me a miraculous vision in which I saw things that made me resolve to say no more about this blessed one until I should be capable of writing about her in a nobler way. -Dante on his inspiration for The Divine Comedy, after falling short of Beatrice's splendor in the Vita Nuova

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VI

Then let not winter's ragged hand deface,
In thee thy summer, ere thou be distill'd:
Make sweet some vial; treasure thou some place
With beauty's treasure ere it be self-kill'd.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That's for thy self to breed another thee,
Or ten times happier, be it ten for one;
Ten times thy self were happier than thou art,
If ten of thine ten times refigur'd thee:
Then what could death do if thou shouldst depart,
Leaving thee living in posterity?
  Be not self-will'd, for thou art much too fair
  To be death's conquest and make worms thine heir.
 	--William Shakespeare

All The Best,

William Einstein Shakespeare :)

LXVII

Ah! wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace itself with his society? 
Why should false painting imitate his cheek,
And steel dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggar'd of blood to blush through lively veins?
For she hath no exchequer now but his,
And proud of many, lives upon his gains.
  O! him she stores, to show what wealth she had
  In days long since, before these last so bad.
 	--William Shakespeare