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These forums are being phased out. The new, improved Classical Music CD Exchange Forum is at classicalmusicforums.com.

Ahoy fellow travelers and Great Books lovers!

The former post was deleted as it violated our user agreement, or it did not add to the "Classical Music & Art" conversation in a constructive manner.

The new Classical Music CD Exchange Forum may be found at http://classicalmusicforums.com/forumdisplay.php?f=2 .

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Please register at http://classicalmusicforums.com to post in the future.

We prefer deep reflections on Philosophy, Shakespearean Sonnets, and tender musings along the lines of:

LXXII

O! lest the world should task you to recite
What merit lived in me, that you should love
After my death,--dear love, forget me quite,
For you in me can nothing worthy prove;
Unless you would devise some virtuous lie,
To do more for me than mine own desert,
And hang more praise upon deceased I
Than niggard truth would willingly impart:
O! lest your true love may seem false in this
That you for love speak well of me untrue,
My name be buried where my body is,
And live no more to shame nor me nor you.
  For I am shamed by that which I bring forth,
  And so should you, to love things nothing worth.
 	--William Shakespeare

There is no excellent beauty that have not some strangeness in the proportion. -Sir Francis Bacon Essays, 1625

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LXXVI

Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods, and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth, and where they did proceed?
O! know sweet love I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
  For as the sun is daily new and old,
  So is my love still telling what is told.
 	--William Shakespeare

All The Best,

William Einstein Shakespeare :)

LXVII

Ah! wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace itself with his society? 
Why should false painting imitate his cheek,
And steel dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggar'd of blood to blush through lively veins?
For she hath no exchequer now but his,
And proud of many, lives upon his gains.
  O! him she stores, to show what wealth she had
  In days long since, before these last so bad.
 	--William Shakespeare